The Guardian

Diversity, dialogue – and a prankster bassoon: how Mozart speaks for us all

The piano concertos, like his operas, are where you get to meet Mozart himself. And what you find is a man who sought to disrupt privilege and let us see the world through the eyes of others.

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The New York Times

From Concerts to Cartoons: Chopin’s Most Famous Composition

Like many people, I learned about Chopin’s “Funeral March” at an early age, on the family couch, watching Saturday morning cartoons. Cartoons, like fairy tales, often require death as a plot device, but they want it slightly defanged.

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The New York Times

The Pianist Jeremy Denk on the Joys of Chopin, Our Most Catlike Composer

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The New York Times

The Noise of Time

Jeremy Denk reviews “The Noise of Time” by Julian Barnes

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The New York Times

Immortal Beloved

Jeremy Denk reviews ‘Beethoven,’ by Jan Swafford

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The New York Review of Books

Ives Wins!

Jeremy Denk discusses Stephen Budiansky’s book Mad Music: Charles Ives, the Nostalgic Rebel

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The Guardian

Bach's Goldberg Variations caused me misery – But I still can't get enough

Jeremy Denk discusses Bach's towering keyboard masterpiece

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The New Yorker

Piano Man

Jeremy Denk shares a story from his early career as a struggling artist and the subsequent lure of a particular gig he hoped could improve his financial situation.

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The New Yorker

Every Good Boy Does Fine; A Life In Piano Lessons

Jeremy Denk looks back on his experiences as a student, from childhood to conservatory and beyond.

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The New Republic

Bach’s Music, Back Then and Right Now

Jeremy Denk reviews Paul Elie's "Reinventing Bach"

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The New York Times

Earth Music

Jeremy Denk's review of Bernie Krause's "The Great Animal Orchestra"

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The New Yorker

Flight of the Concord

Jeremy Denk's insider account of the pleasures/miseries/neuroses of making a recording.

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